Visual Intertextuality:
Sequences and Presuppositions

 
   

From Christ and the Saints to Mapplethorpe portraits

Van Eyck and Dürer to Mapplethorpe (Patti) and Mapplethorpe (self-portrait): meeting the gaze of the viewer

[After Van Eyck, Holy Face (1440)] [Memling, Christ Blessing (1481)] [Dürer, Self-Portrait (1500)] [Dürer, St. Jerome] [Caravaggio, St. Jerome (c. 1600)] [Van Cleve, St. Jerome] [David Baily, Self-Portait (Vanitas)] [Memento mori rosary pendant, c.1500] [Frans Hals, Self-Portrait] [Mapplethorpe, Patti (1975)] [Skull cane] [Mapplethorpe, Self-Portrait (1985)] [Stieglitz, Self-Portrait (1907)] [Mapplethorpe, Self-Portrait (1988)]
   

Manet to Jeff Wall: Image, Reflection, Status of the Viewer

Viewing and implied Narrative:

  • This painting's narrative goes beyond felling a story to representing the image and viewing structure of painting.
  • What is the event? We are implicated in the painting since we see ourselves being seen.
  • The artist makes an allegory of painting, acknowledging the state of being seen and authorized by supreme viewer (king and queen):
    • I see you seeing me
    • I in you see myself seen
    • I see you seeing yourself being seen
  • Las Meninas is a picture about the role of framing, frames in the form of pictures, mirror, doors and windows as formal structures-codes-for represented reality.
  • The artist positions himself on the viewer's side of the picture surface he is making and looks through the picture frame of the world - which he then reconstructs on the surface of the picture by means of geometric conventions.
  • Picasso treats the study as a formal exercise to be abstracted.
  • Manet captures viewing, perception, framing, and reflected gaze in another context.
  • Jeff Wall, quotes Manet but puts the camera in the image in the position of the male viewer in the mirror at the bar in Manet

 

[Velazquez, Las Meninas (Maids of Honor) (1656-57): medium | large] [Velazquez-Ground Plan of the Palace] [Manet, Bar at the Folies Bergeres (1881)] [Picasso, After Velazquez, Las Meninas (1957)] [Jeff Wall, Photograph for Women ]
   
Mona Lisa: Renaissance study to icon to parody and irony: Duchamp, Picabia, Warhol, Botero, parodies Da Vinci, Mona Lisa (1503-06) , Image 2 | Duchamp, L.H.O.O.Q. (1919) | Picabia, Replica of Duchamp Mona Lisa (1942) | Salvador Dali, Self Portrait as Mona Lisa (1954) | Warhol, Mona Lisa 3 Times, silkscreen on linen | Warhol, Mona Lisa montage (1963) | Warhol, Gold Mona Lisa (2 times) (1980) | Alfred Gescheidt, Mammary Lisa (1972) | Botero, Mona Lisa (1977) | Hillary Mona Lisa | Monica Mona Lisa (1999) | Digitally morphed Mona | Secret Life of Mona Lisa | Mona Lisa, Cover of Art For Dummies |

Martin Irvine, 2005-2007