Keyser (Hollins College)
General Information
Abstract
The catalogue description for "Studies in American Literature
Before 1900" reads as follows: "An Introduction to selected major
writers, such as Emerson, Hawthorne, Twain, Whitman, and Dickinson, of
the American Renaissance and Gilded Age, placed in the context of their
lesser-known contemporaries." I think this course, which I inherited three
years ago, was meant to be a sophomore survey, but after trying to teach
it that way my first year, I resolved to concentrate on a fifty- or sixty-year period in the nineteenth century.
In 1990 the focus was a familiar one--the determination of selfhood
(and of course definitions of selfhood) with emphasis on gender, race, and
class. As Elaine Hedges recommended in an American Studies session on
teaching the
Heath Anthology
two years ago, I tried to juxtapose works
that paralleled, complemented, or in a striking way contrasted with each
other, often a standard with a non-standard text. For example, Emerson in
his famous essays seems to assume an all-male audience and to be
virtually unconscious of his assumption, whereas the Grimké sisters
speak self-consciously as women to women, something my Southern
women students appreciated. Hawthorne's early piece "Mrs. Hutchinson,"
which addresses the subject of "public women" with considerable
ambivalence, not only looks back to the Puritan period and forward to
The
Scarlet Letter
but enables students to see just how radical the Grimkés
words and behavior were. I also introduced students to some "major"
writers--Emerson, Thoreau, and Hawthorne--early in the course, then
returned to them after a practice essay exam. I thought that on their
return they would find these authors less intimidating than on first
acquaintance, and this experiment seemed to work. Finally, I concluded
with two acknowledged masterpieces in which the issues of race
in
Huckleberry Finn
and gender/class in
Portrait of a Lady
as well as the quest
for selfhood (both works) seemed to culminate.
Population
English 281 is required of American Studies majors (as is
the companion history course) and recommended for English majors, and it
usually attracts twenty to thirty students, mostly juniors and seniors.
And all women, most of traditional college age.
Texts
Heath Anthology Of American Literature, Vol. I, Paul Lauter ed., et. al.
Mark Twain,
Huckleberry Finn
Henry James,
Portrait of a Lady
In-Class Writing
I asked that in-class writing assignments be turned in with the journal
pages, unless they wanted immediate feedback on what they had written.
Often I would have them write for the first ten or fifteen minutes just to
warm them up and give them something to say. Or I would have them
write for awhile when conversation flagged. One early in-class writing
assignment that got especially good results asked them simply to compare
Douglass and Thoreau on where they lived and what they lived for (this
was before we discussed the selections). One student wrote a beautiful piece comparing Thoreau's ecstatic response to the dawn and early
morning hours with Douglass's response as a slave. Many found
commonalities such as their love of freedom, but some thought Douglass's
endurance of imposed hardship much more heroic than Thoreau's elected
austerity and that Douglass's rhetoric made Thoreau's sound hollow.
Reading Journals
In this course I experimented for the first time with giving students the
choice between keeping a journal or writing a ten page paper. I asked that
all students keep journals for the first three weeks and recommended that
they write or type their entries on separate sheets of paper,
approximately two pages for each class meeting or reading assignment. I
did not specify exactly what I wanted from them but said that our class
discussion and in-class writing assignments would give them ideas. At
the end of the first three weeks they turned in their journal pages--about
a dozen--and all but one student indicated that they wished to continue.
For various reasons, journals worked better in this course than in
any I have taught. I think the fact that they didn't absolutely have to do it
was one reason. Another, I believe, was that instead of writing comments
on the journal pages, I typed a letter to each student responding to the
passages I found most interesting (this was time consuming, but I found it
intellectually stimulating). I never graded the journal pages or put
correction marks on them (although outstanding or deficient ones could
alter the overall grade) but I tried to engage the students in an intelligent
dialogue about ideas. By the end of the term about half the students were
actually writing mini-essays, most of them better written, I am
convinced, than if I had asked them to write a two-page paper for each
class. Finally, this was an early morning class of bright but rather quiet
students. Participation was never as lively as I would have liked. Thus I
urged them to write in their journals what they were unable--for
whatever reason--to say in class. I think journal writing made them feel
a part of the group even if they seldom spoke voluntarily. And if I did call
on them, as I sometimes did, they could always resort to reading from
their journals.
Readings
Week #1
Ralph Waldo Emerson
, "The American
Scholar" (1837) 1499-1511 "Self-Reliance" (1841) 1511-28;
Angelina
Grimké Weld
, "Appeal to the Christian
Women of the South" (1836) 1826-34; from "Letters to Catharine Beecher"
Letter XII (1837) 1835-8;
Sarah M. Grimké
,
from "Letters on the Equality Or the Sexes" (1837), 1886-93;
Nathaniel
Hawthorne
, "Mrs. Hutchinson" (1830)
2273-7; "The Minister's Black Veil" (1836) 2092-2100; "The Birthmark"
(1835) 2101-12.
Week #2
Margaret Fuller
, from
Woman in the Nineteenth
Century
(1843) 1604-33; Elizabeth Cady Stanton
, from
Eighty Years and More
(1848, 1898) 1895-9;
Frederick Douglass
,
Narrative of the Life of
an American Slave
(1845) 137-9;
Henry David Thoreau
, from
Walden, "Where I Lived and What I Lived For"
(1854) 1981-91.
Week #3
Douglass
,
Narrative
1670-1704;
Thoreau
, "Resistance to Civil Government"
(1849) 1967-81; In-class writing; journal pages due.
Week #4
Hawthorne
,
The Scarlet Letter
(1850), Ch.
1-8, 2157-95; Ch. 9-15, 2195-2230
Week #5
Hawthorne
,
The Scarlet Letter, Ch. 16-24,
2230-72;
Harriet Beecher Stowe
, from
Uncle
Tom's Cabin
(1852) 2311-58
Week #6
Herman Melville
,
Benito Cereno
(1855)
2464-2522; "The Paradise of Bachelors and The Tartarus of Maids" (1855)
2447-64;
Stowe
, "Sojourner Truth" (1863)
2384-93;
Sojourner Truth
, 1911-15
Week #7
Thoreau
, "A Plea for Captain John Brown"
(1860) 2016-31;
Harriet Jacobs
, from
Incidents in the Life of a Slave Girl
(1861)
Week #8
Emerson
, "The Poet" (1844) 1546-51; Walt
Whitman
, "Song of Myself" (1855) 2727-78
Week #9
Emily Dickinson
, Poems 14-664 (1858-62)
2845-81; Letters: To recipient unknown (1861-2); To T. W. Higginson
(1862) 2909-14;
Higginson
on Dickinson
1871-3;
Dickinson
, Poems 668-1769 (1863-
86) 2881-2902
Week #10
Twain
,
Huckleberry Finn
(1884) Ch. 1-24; Ch.
25-42+
Week #11
Portrait of a Lady
(1881, 1908),
Ch. 1-17; Ch. 18-27
Week #12
Portrait of a Lady, Ch. 28-46; Ch. 47-55
MIDTERM EXAMINATION QUESTIONS
FINAL EXAM QUESTIONS